EP. 323 — Sleepover LIVE! (w/ Nick Kroll)

Paul Scheer [00:00:00] Don’t be rank or get the skeeves because tonight is going to be plush. We saw the Sleepover, so you know what that means.

 

Music [00:00:17] [Intro Song]

 

Paul Scheer [00:01:16] We are live at Largo, Los Angeles to talk about a movie that I didn’t really know existed until just a mere few hours ago. The film is called Sleepover. It’s in the early 2000s and is about a bunch of girls who are getting out of middle school, getting to go to high school. And it’s kind of like Ferris Bueller’s Day Off, and it’s kind of not. And frankly, I don’t know anyone’s names. And I’m confused by a lot of the big things that happen in this film. Normally, I would try to break it down for you. And as I started to, I’m just like, no, I give up and I’ll save that for my co-host. So please welcome to the stage my co-host, Mr. Jason Mantzoukas.

 

Jason Mantzoukas [00:02:14] What’s up, jerks!? Here we go. I’m thrilled to be here, Paul, to be talking about a movie that I suspect I’m on a watch list for having watched. What is this movie? I’m sorry, is this a teen sex comedy set in junior high school?

 

Paul Scheer [00:02:41] This movie checks a lot of boxes.

 

Jason Mantzoukas [00:02:47] I don’t think we could say checks a lot of boxes. This movie, this was chilling. The number of times I wrote in this movie in my notes. Am I allowed to be watching this? I close the curtains in my house this afternoon to be like I hope nobody sees that I’m watching a kid porno. This is a movie about grooming.

 

Paul Scheer [00:03:14] Listen. It’s also.

 

Jason Mantzoukas [00:03:18] Is this movie for kids or predators?

 

Paul Scheer [00:03:23] It’s also a movie about finding yourself and getting your own voice.

 

Jason Mantzoukas [00:03:29] Finding yourself on a date with your teacher from junior high. Junior high.

 

Paul Scheer [00:03:38] We are going to break it all down. Don’t worry about it. As the tagline says, the rules are set and the game is on. I found myself disturbed so many times in this movie, and one of the biggest regrets I had was that I didn’t get to watch it with my other co-host. Please welcome to the stage Miss June Diane Raphael. Welcome. Welcome, June. Welcome, June.

 

June Diane Raphael [00:04:24] Now, Paul, I got to tell you, yes, this movie, there were so many concerning things about this movie.

 

Jason Mantzoukas [00:04:29] Were there?

 

June Diane Raphael [00:04:30] Yes. But if you don’t think I cried.

 

Jason Mantzoukas [00:04:34] Okay.

 

Paul Scheer [00:04:35] When?

 

Jason Mantzoukas [00:04:37] June.

 

Paul Scheer [00:04:37] When?

 

June Diane Raphael [00:04:38] You don’t think I cried.

 

Jason Mantzoukas [00:04:39] June, I am with you.

 

June Diane Raphael [00:04:41] Okay?

 

Jason Mantzoukas [00:04:42] Not only did I cry. My notes are “why am I crying?” Why am I crying watching these children be preyed upon?

 

June Diane Raphael [00:04:51] I lost it. I was.

 

Paul Scheer [00:04:54] I’ll tell you when I tell you when I. When I felt like the biggest dagger into my heart was when that teacher said, Hey, I may not be good looking, but I got a good wit.

 

Jason Mantzoukas [00:05:04] Oh, you mean when he was trying to seduce a 14 year old?

 

Paul Scheer [00:05:09] He didn’t know.

 

Jason Mantzoukas [00:05:10] He didn’t know she was a student cause she was wearing sunglasses? You’re a bad teacher. You should be able to recognize your students in sunglasses. What?

 

Paul Scheer [00:05:23] Well, like we have.

 

Jason Mantzoukas [00:05:24] Come on Johnny Snead.

 

Paul Scheer [00:05:26] We got a lot. We got a lot to break down. A lot to break down. And we have a very special guest. I love when we have this guest because this guest truly is historic guest because he is the first guest we ever had here on the program.

 

Jason Mantzoukas [00:05:40] Audible gasps.

 

Paul Scheer [00:05:41] Yeah. Co-creator, star of shows like the Kroll show. Big Mouth. The history of the world part 2, and right now you can be watching his amazing show, Human Resources on Netflix. Please welcome Nick Kroll. Welcome, Nick. Welcome back. Wow. So we made you watch this movie.

 

Nick Kroll [00:06:17] I was so excited. I’ve done this show. I think I’m on maybe the first episode of this. Burlesque, and I’ve been on the show throughout. Always excited. Got the got the jpeg for this one.

 

Paul Scheer [00:06:38] I sent it to you and I was like, Here we go.

 

Nick Kroll [00:06:39] I will say, we were at dinner last night and you said, What is this movie?

 

June Diane Raphael [00:06:44] By the way, is the font for this movie the same font as Clueless?

 

Paul Scheer [00:06:49] Yes.

 

Nick Kroll [00:06:49] Yes.

 

Jason Mantzoukas [00:06:50] This movie is trying to trick you into thinking it’s a different movie? Yes. Constantly. It’s also at one point, they’re driving through town in the movie. Playing at the movie theater is legally blond, which is another I think this movie wants to be.

 

Paul Scheer [00:07:04] Oh, this movie wants to be a lot of movies. And what it is, is disturbing. And it’s a weird movie because it there’s so many things.

 

Jason Mantzoukas [00:07:14] I’m just looking at my notes and they’re fucking nuts.

 

Paul Scheer [00:07:18] I have a whole thing that I want to pull out. Well, not pull out.

 

Jason Mantzoukas [00:07:25] Paul, these children are 14 years old. These are Junior high.

 

Nick Kroll [00:07:31] Graduating junior high.

 

June Diane Raphael [00:07:35] I agree. Like, I don’t want I don’t want to take this position right now with Nick, but I have to like they are heading into ninth grade. I want you there. Yes, I know they’re not, but I want you to accept.

 

Paul Scheer [00:07:50] 2004, June.

 

June Diane Raphael [00:07:51] I want you to accept these blooming young women.

 

Jason Mantzoukas [00:07:55] Oh, I’m blooming. Can I get a lock on my door? Yeah. I wrote down blooming? Question mark.

 

Paul Scheer [00:08:03] I want to just go out on a limb and say this. I can’t tell you how any of these women are different from each other at all. They don’t seem like they really have.

 

Jason Mantzoukas [00:08:13] These girls? We have to say girls because they are 13 and 14 years old.

 

Paul Scheer [00:08:17] I felt too awkward.

 

June Diane Raphael [00:08:17] Jason, they’re young women.

 

Jason Mantzoukas [00:08:22] This is a sex comedy starring tweens.

 

Paul Scheer [00:08:23] All right.

 

June Diane Raphael [00:08:24] Young women.

 

Paul Scheer [00:08:24] That’s the biggest problem with this movie is I can’t tell who is what age, who is who. I rewound this movie more than like, a hard sci fi.

 

June Diane Raphael [00:08:34] And I got to tell you. Paul, you really. So when I saw Paul watching on Tubi. I walked by his office and I said, What do you think? Because I was a little bit ahead. And he goes, I can’t tell who any of them are!

 

Paul Scheer [00:08:47] They all look alike. They’re all blonde. Except the redhead.

 

June Diane Raphael [00:08:50] They don’t all look alike. They don’t. And I found it very disturbing that you couldn’t tell one from the other. I’m not saying. No, I’m not saying they’re all fully fleshed out characters. Of course they’re not. But they are. They are different. And I didn’t struggle.

 

Nick Kroll [00:09:06] Here’s what I. Yeah. And that I would credit with the hair department and wardrobe. Wardrobe, hair and wardrobe. Because you’ve got. And I do want to just talk about her hair. Yes. A lot. Because, I mean, look, there’s the lead’s hair. There’s a lot of looks to that. Quirky. Julie Quirky.

 

Jason Mantzoukas [00:09:27] I mean, Julie Quirky.

 

Nick Kroll [00:09:32] Can we just. She’s quirky. She’s Julie. She’s quirky. Let’s.

 

Jason Mantzoukas [00:09:36] She’s got Jane Lynch as a mom and Jeff Garlin as a dad. Imagine that fuck sesh.

 

Nick Kroll [00:09:44] Oh, it looks like the number ten.

 

June Diane Raphael [00:10:01] Not. Listen. Not to jump to the very end, but just. Just to talk through her hair. Major spoiler alert to talk to her hair journey because this happens a lot in movies with women, which is their hair is going to tell us the story.

 

Nick Kroll [00:10:14] Yes.

 

June Diane Raphael [00:10:15] And we’re going to look to their hair to understand who they are in the world and how relaxed they are, how uptight they are. Their hair will tell us that. And she goes to sleep the night of the sleepover with curly hair. And she wakes up the next morning and sleep has straightened it out. She’s got and blown it.

 

Jason Mantzoukas [00:10:36] She’s gotten a sleep blowout.

 

June Diane Raphael [00:10:39] And she is now a woman.

 

Jason Mantzoukas [00:10:42] Yes, and at the end of the movie as if she’s gone through some rite of passage. She is dressed and styled different like she is now a woman which is bizarre. The movie is, the movie is very uncomfortable.

 

June Diane Raphael [00:11:03] I’m going to say something, you know, And I of course, there’s so many insane things. And this movie is fat phobic and it’s horrible and for so many reasons. But but there are moments in this movie that I really related to. And the just to talk about the scene between Jane Lynch and and our lead, because there were moments when this, our lead character, Julie Quirky, of course, reminded me of a younger Jennifer Gray.

 

All [00:11:29] Quirky, quirky, quirky, quirky.

 

Nick Kroll [00:11:33] She’s quirky, but her name is quirky.

 

June Diane Raphael [00:11:35] Quirky, quirky. There were there were moments when her mom said, you’re on the bridge between ladybugs and boys and gave her a lock to both (sighs) give her a chance. Give her a chance to sort of separate, but to also be free and to be.

 

Jason Mantzoukas [00:11:59] I’m on the bridge, which is lovely.

 

June Diane Raphael [00:12:01] Oh, that’s lovely. And and but then Jane Lynch says, What does she say?

 

Jason Mantzoukas [00:12:06] Well, Jane. Well, Jane Lynch is it’s in that scene where she’s giving her the lock, and I feel like you were into magic and this girl and now may be boys and this and that. And Julie kindly says, I think I’m still on the bridge because Jane Lynch, I think, is suggesting she’s already over. Gotten to I maybe missed this.

 

June Diane Raphael [00:12:22] I truly have never seen that moment in a movie or TV represented of a young woman understanding about herself that she’s in between. And I thought it was stunning.

 

Paul Scheer [00:12:34] And they save it for the last 30 seconds.

 

Jason Mantzoukas [00:12:38] This is also where I cried. So I am very, what I cried on. Why am I crying at this ending question mark?

 

Nick Kroll [00:12:51] I cried a lot. I cried when the best friends, when they have their last conversation.

 

Jason Mantzoukas [00:12:57] Then when the best friend says You’re ready for high school, she says, that’s because of you.

 

Nick Kroll [00:13:02] Yeah.

 

Paul Scheer [00:13:02] I got a little choked up.

 

Jason Mantzoukas [00:13:04] And then they say, Don’t forget, don’t forget.

 

Paul Scheer [00:13:08]  This is what I don’t understand, too. It is the last day of junior high and that friend is moving.

 

Nick Kroll [00:13:16] Well it’s not based on her schedule. The job in Seattle starts in two weeks. They pushed it back so she could finish her fucking the year.

 

Jason Mantzoukas [00:13:25] Dad’s got to go work at Boeing or whatever.

 

Paul Scheer [00:13:28] But by the way they dropped. They they truly do drop so much info at the beginning of this movie. Where am I? I rewound to be like because the girl that.

 

Nick Kroll [00:13:38] This is why you rewound it?

 

Paul Scheer [00:13:41] Okay, so the friend that seems to be older who’s in the car with the boyfriend.

 

Jason Mantzoukas [00:13:46] Stacy.

 

June Diane Raphael [00:13:46] Stacy.

 

Paul Scheer [00:13:47] Stacy.

 

Nick Kroll [00:13:47] A blowout. Like almost like a Heather Thomas kind of.

 

June Diane Raphael [00:13:52] Yeah, yeah, yeah. Like a very seventies hairstyle.

 

Jason Mantzoukas [00:13:55] Giving me real, like, bitchy Rory Gilmore vibe. Yeah.

 

June Diane Raphael [00:13:59] Yes, absolutely.

 

Jason Mantzoukas [00:14:00] So much so that for the first second I was like, Wait, is that Alexis Bledel? And I was like, It’s not, but spoiler alert it is Brie Larson in this movie. And friend of the pod, Bree. Great job.

 

Paul Scheer [00:14:15] I will say this. I when I’m getting into a how did this get made movie. Normally the first 4 minutes is just like, just feeling the water, just seeing what’s going on. But they’re dropping major plot points that I am not capable of digesting because I don’t even know the characters yet. Well, you’re the same age, okay? But you look like you’re way older. And then I had to remind myself, Wait, they’re stealing a car, but they’re in junior high. They’re not even close to a license.

 

Jason Mantzoukas [00:14:42] Also a right driving smart car? Yeah, I was like, What is this?

 

Paul Scheer [00:14:49] There is a there is a dance that is happening simultaneously to the cool girls having a fun party that’s written like a serial killers font.

 

Nick Kroll [00:14:59] Yes.

 

Paul Scheer [00:15:00] Like there’s some there was some carving out of Cosmo magazine.

 

Nick Kroll [00:15:03] I’ve got your children. They’re all at this sleepover tonight.

 

June Diane Raphael [00:15:08] It was also odd that whatever dance the high school is having is not the prom.

 

Paul Scheer [00:15:13] No, it’s just the last day of school dance.

 

Jason Mantzoukas [00:15:17] You would think it was because of time of year.

 

Nick Kroll [00:15:21] Because there was the king and queen?

 

Jason Mantzoukas [00:15:23] Yeah.

 

June Diane Raphael [00:15:25] But. But it is not.

 

Paul Scheer [00:15:27] But yet it’s not their dance because they’re junior high. So you got a high school. You got a high school dance. You got a cool girls party, and you got the nerd sleepover. And then you also got the dudes, the SpongeBob and that crew. And I think they’re also having a scavenger hunt as well.

 

Jason Mantzoukas [00:15:48] You’ve got. Then you’ve got Steve, the hunk who is not just the archetype of, but the, like, almost literal physical representation of Jake Ryan. From Sixteen Candles.

 

June Diane Raphael [00:16:00] Exactly like him.

 

Jason Mantzoukas [00:16:04] I was like, But this is a little on the nose.

 

June Diane Raphael [00:16:08] I thought he was great though.

 

Jason Mantzoukas [00:16:09] Jake Ryan full blown.

 

June Diane Raphael [00:16:11] Here’s what I couldn’t understand. Why did. I have to say I loved I loved the storyline of like Stacy had. I wish they developed it a bit more, but Stacy had been a friend of Julie’s at one point. And then for whatever reason.

 

Nick Kroll [00:16:24] Not a moment. She shows not a moment of of recognition of that friendship.

 

June Diane Raphael [00:16:28] I know, but but here’s my question about Stacy, because we get to know a little bit about her and I think why she decides to reroute the night. But why why would she ever risk. Because the stakes of this movie are that when they head into their freshman year and head into high school, it’s really important that the sort of class dynamics are clear at lunchtime. And if they’re sitting by the fountain, it means they’re cool kids. And if they’re sitting by the dumpster means they’re not.

 

Nick Kroll [00:16:56] Yeah, Dumpster Kids.

 

June Diane Raphael [00:16:57] They’re dumpster kids.

 

Jason Mantzoukas [00:16:59] Can I just say is generationally impactful.

 

Paul Scheer [00:17:03] I also wanted to say I just want to just point out one quick thing. Again, we’re seeing the theme of dumpster in high school with that movie, Wish Upon. Remember there is like the dad was jumping to it.

 

Jason Mantzoukas [00:17:14] Did we do it?

 

Paul Scheer [00:17:15] Yeah, the wish upon the girl with the box. Joey King with the box.

 

June Diane Raphael [00:17:18] How do you remember these movies?

 

Paul Scheer [00:17:20] And the dad was jump. The dad was jumping into.

 

Jason Mantzoukas [00:17:22] Yes. Ryan Phillippe. Ryan Phillippe.

 

Paul Scheer [00:17:24] He was jumping into dumpsters in front of his kids while they were eating lunch.

 

June Diane Raphael [00:17:28] Oh, yeah, Yeah.

 

Paul Scheer [00:17:29] So, like, I didn’t understand that dumpsters played such a large part in the high school lunch.

 

Nick Kroll [00:17:34] What about absolutely mediocre fountains? As is the coveted spot, which we all know incoming freshmen control.

 

June Diane Raphael [00:17:44] Oh, yeah, right.

 

Nick Kroll [00:17:47] And that fucking fountain. What a garbage fountain.

 

June Diane Raphael [00:17:52] And that’s what I kept on wanting to say was. Why do you all think you get to choose this spot? It’s gonna be decided for you.

 

Jason Mantzoukas [00:18:00] The victory at the end is preposterous. Like, by the way, the lesson learned should have been the the fountain is within. Wherever we are, wherever we are is where we should be.

 

Nick Kroll [00:18:14] They had already invested $150 to build that piece of shit fucking fountain.

 

Jason Mantzoukas [00:18:19] But I will say one of the most laugh out loud moments was the last scene where the guy pours trash in the dumpster on Stacy. And she gets up and runs away.

 

June Diane Raphael [00:18:28] Okay, but here’s my question. If you’re Stacy the cool, you’re Stacy the cool kid. And see and this is what I wonder. I’d like to propose, because I kept on wondering why would Stacy risk her spot at the fountain? Why is she why is she engaging in this?

 

Jason Mantzoukas [00:18:45] Well, because she’s so off balance from having the negative experience with what’s the gap?

 

Nick Kroll [00:18:53] The J.V. quarterback?

 

Jason Mantzoukas [00:18:53] Yes. What’s his name? Can somebody out here tell me what it is? Todd. Todd. Thank you, Todd. Todd it. Todd?

 

Paul Scheer [00:19:01] Yeah.

 

Jason Mantzoukas [00:19:02] I’m saying Todd and you guys are still yelling.

 

Paul Scheer [00:19:05] No, it is Todd.

 

Nick Kroll [00:19:09] You’re saying it like someone from Massachusetts. Todd?

 

Jason Mantzoukas [00:19:13] Oh my god, Todd is by the fucking dumpster? Oh, my god, Todd tried to finger me in his car.

 

Nick Kroll [00:19:22] Todd’s driving. Todd’s driving a convertible and openly sexually assaulting a 14 year old.

 

Jason Mantzoukas [00:19:32] In a public park that is fully lit. He’s driving on the grass. It’s like the town is like Stars Hollow. The only police presence is Steve Carell?

 

Nick Kroll [00:19:47] You know what that made me feel like? And I don’t want to I don’t know if you had a point. Seeing Steve Carell in that movie and seeing almost every adult in that movie, you’re just like, Man, people need gigs.

 

Paul Scheer [00:19:58] Yeah.

 

June Diane Raphael [00:19:59] Nick. I actually that’s why I found the movie to be affirming. I was like, You know, I’ve taken jobs. I’ve done things.

 

Nick Kroll [00:20:08] Steve Carell probably like shot like shot 40 year old virgin and had not come out yet. Yeah, right. So he’s just like, they’re giving me a fucking I’m going to be in a movie. I’m going to be on the just working.

 

Paul Scheer [00:20:20] And by the way, he’s funny in it.

 

Nick Kroll [00:20:21] He’s very funny.

 

Paul Scheer [00:20:22] Funny. And he like, he does a lot with that job. I’m going to say better than Paul Blart mall cop. I, you know, I enjoyed.

 

Jason Mantzoukas [00:20:29] Savage Savage takedown. I’m shocked you are brave enough to say that, Paul.

 

Paul Scheer [00:20:36] Look, America might disagree with the huge hit of Paul Blart mock up of $100 million at the box office.

 

Jason Mantzoukas [00:20:43] Right.

 

June Diane Raphael [00:20:43] Okay, here’s what I want to understand. So, Stacy, so here’s my theory about why Stacy wanted to do that scavenger hunt. I think there is a part of Stacy after that, after her assault. You know, no other way to say it. No other way, no way to get around that.

 

Paul Scheer [00:20:57] Her boyfriend just seemingly drove onto the center of. And I just want to just.

 

June Diane Raphael [00:21:03] I believe she is so.

 

Jason Mantzoukas [00:21:07] There are people. There are people. One, two. There’s six lights and and people walking.

 

Paul Scheer [00:21:15] He is he is in the center of the town square. He drove up on the lawn.

 

Jason Mantzoukas [00:21:20] Like this is not where you take someone if you’re Todd and you’re trying to finger someone in your car. And he’s in his cut off tee. This is ridiculous.

 

June Diane Raphael [00:21:30] But I yeah, but I think what happened to Stacy here is I think she thought she could kind of hang and that she was.

 

Nick Kroll [00:21:40] Too much.

 

Paul Scheer [00:21:40] She’s still on the bridge.

 

June Diane Raphael [00:21:42] That’s right. I think she realized I’m on the bridge.

 

Paul Scheer [00:21:46] She thought she was over the bridge. She’s still on the bridge.

 

June Diane Raphael [00:21:48] I’m on the bridge and I need to return to fun and that sleepover that I was supposed to be at.

 

Nick Kroll [00:21:55] Yeah, it turns out she wasn’t on the bridge, but instead a full grass but parked in a car.

 

Jason Mantzoukas [00:22:03] It felt to me, because it’s really it’s a heartbreaking scene. And especially once you at the end of the movie, you realize Todd had no interest in bringing Stacy to the dance because he has another girlfriend

 

Paul Scheer [00:22:13] For six months

 

Jason Mantzoukas [00:22:13] Who he’s going to the dance with.

 

Paul Scheer [00:22:15] He was just going to basically fuck her and then get dressed and then go to the dance with his real girlfriend. So he’s not even creating a romantic night. It’s really just yeah, it’s really just like, Hey, let’s pull off from the side of the road in the park.

 

Jason Mantzoukas [00:22:28] I desperately wanted Stacy to, it. I feel like Stacy’s moment of recognition or realizing that she’s done wrong is had with SpongeBob in the dance sequence rather than with Julie Quirky.

 

Paul Scheer [00:22:47] Yes. Because SpongeBob represents fun and lightness, and that’s the guy she should be with, even though he was in a coma. And when they say when they when they when they at the beginning of the movie is a lot of ripping, as June said, fat phobic and things of that nature. But they go, he goes, I was in a coma and they go, You were barely in a coma. Anyone who says I was in a coma, let them have that win. Let them have that.

 

Jason Mantzoukas [00:23:15] And I love with Stacy at the end, he’s like, You want to see a picture of me in a coma? And she’s like, Yeah.

 

June Diane Raphael [00:23:20] I do.

 

Jason Mantzoukas [00:23:20] And he shows her and she’s like, That’s cool. And he’s like, But now I have this picture, and that’s better than the one of me in a coma. And that’s sweet. That’s a most loved about this because it’s two 14 year olds having a truly difficult time coming of age, which is what this movie is about. And here is a note I wrote. Here are words I wish I wasn’t typing. This movie has too much 13 year old foot content.

 

Nick Kroll [00:23:49] Oh.

 

Paul Scheer [00:23:51] I just want to say. I just want to say while we’re while we’re on. You’re not wrong.

 

Jason Mantzoukas [00:24:00] Oh, I’m not wrong because every girl gets foot close ups. Not interested.

 

Nick Kroll [00:24:08] Well, because it was also they were shooting it as another as a double for a proof of concept for Tarantino babies.

 

Paul Scheer [00:24:16] I will just say this. I, that moment at the end got me where he where he did replace his coma picture with the picture of them because man alive, aren’t Polaroid stick cameras the best?

 

Jason Mantzoukas [00:24:28] Oh, yeah.

 

Paul Scheer [00:24:28] You know, you could just get a picture and a Polaroid stick cameras. You know, you can get them at Old Navy.

 

Nick Kroll [00:24:34] Okay.

 

Jason Mantzoukas [00:24:34] This an ad?

 

Nick Kroll [00:24:35] Yeah, this feels like an ad.

 

Paul Scheer [00:24:36] It just seems like so naturally. Polaroid stick cameras, they’re great when they lay down and remember, Take a picture of it on your Polaroid stick camera.

 

Nick Kroll [00:24:46] Can we just talk about SpongeBob really quick?

 

Jason Mantzoukas [00:24:48] And his crew there.

 

Nick Kroll [00:24:51] And that crew and I, I.

 

Paul Scheer [00:24:54] Were you part of that crew with your kind of crew?

 

Nick Kroll [00:24:57] I was not. I wish I were part of that. That crew of skateboarder kids. You know, I. I say this and I have not done the part in a while, so I don’t know where we are. I really hated. I hated his performance. I really hated it. And I was like, Who’s this fucking bozo doing this impression of a person doing an impression of Jim Carrey? I fucking hate this performance. Where did this bozo end up? And then I went over to cast and saw that this guy is going to win an Emmy for Dahmer and has become one of the most sought after actors of our generation.

 

Paul Scheer [00:25:49] Bold choices never fail.

 

Jason Mantzoukas [00:25:52] That’s where it began. You can see the Dahmer in there.

 

Paul Scheer [00:25:56] There are multiple award winners in this cast. We have an Oscar winner. We have Brie Larson won an Oscar for best actress.

 

Nick Kroll [00:26:06] In this movie. Wouldn’t it be funny, though, if SpongeBob’s, you’re go through as well is just like a bunch of pictures of, like, severed hands and trying to cover up.

 

Paul Scheer [00:26:21] What’s that smell, spongeBob? SpongeBob. I want to pull this up, and I feel we can refer to it throughout the show. I think it’s right here. Okay, so this is just something I started to put together. Sleepover timeline. I wanted to start to figure out the timeline of this movie.

 

Jason Mantzoukas [00:26:39] Can we just, Paul? Yeah. Did you make this?

 

Paul Scheer [00:26:42] Yeah, I made this that.

 

Jason Mantzoukas [00:26:46] June. June. Do you need a lawyer?

 

Paul Scheer [00:26:50] So I’ve made a timeline here. So, 7 p.m. we know it’s Liz’s summer blowout. Then seven ish.

 

Jason Mantzoukas [00:26:57] Like, I’m sorry to interrupt you, but this is like if Paul wrote a screenwriting book and was like, I’m going to use this as the example. This is how you break down a script.

 

Paul Scheer [00:27:09] Then we know that Julie starts around seven ish. Julie’s mom leaves at seven ish. So then we see a giant montage of the sleepover, and I’m going to say that that’s 90 minutes because we see multiple nail paintings. We see a bra freezing. I’m going to guess that the bra would need about 40 minutes to freeze.

 

Nick Kroll [00:27:24] At least. At least, depending on material. And freezer size.

 

Jason Mantzoukas [00:27:31] How many like pre-teen girl bras I saw in this movie?

 

Paul Scheer [00:27:37] And thongs. And thongs.

 

Jason Mantzoukas [00:27:40] I mean, like.

 

Paul Scheer [00:27:42] And then I’m going to guess. I’m going to guess. Tell me if I’m wrong here, because I need your help here. I’m going to guess that 8:00, the dance starts. That seems about right to me. And we know that the dance is going to end at midnight. That we do know. Okay. Now.

 

Nick Kroll [00:27:55] Then it’s just a ticking clock.

 

Jason Mantzoukas [00:27:59] Just for the listener at home, there is a line in this breakdown that Paul wrote that says, parenthetically, most old Navy close at at leastest 9PM. That’s the T-shirt. That the T-shirt. No, no, no.

 

Paul Scheer [00:28:18] I put it back.

 

Jason Mantzoukas [00:28:20] Do not fix it. Most Old Navy close at leastest 9PM.

 

Nick Kroll [00:28:26] Jason, can I. I don’t want to lift the curtain too much on the show and how it works, but Paul does have an old Russian man who writes all of these notes. Most old Navy close at least 9 p.m.. Dumpster table is not good.

 

Paul Scheer [00:28:46] So I want to just quickly add a couple more of these things. We know that. We know that our popular girl, she is waiting for her boyfriend. I’m assuming he’s about 30 minutes late because she’s a little bit upset. She gets driven and dumped.

 

Nick Kroll [00:28:59] Yeah. Can I just quickly say whatever you want to say about Todd and the actor playing Todd? He stops perfectly in front of her. Good stop. Like it’s a great. And this is. Having driven cars. You know, you drive a car in a scene and you’re like and they’re like, All right, and just stop right here. And you’re like. And they’re like, Can you do it again? But fucking hit the fucking mark? You know what I mean? I just want to give Todd some props. He fucking nails the stop. In a wide. It’s like she’s waiting. Bam! Right there. She’s in. They’re out.

 

Paul Scheer [00:29:36] Because it’s a convertible. I think he had better view.

 

Nick Kroll [00:29:38] A better view of, like, the weird chalk mark where the tire needed.

 

Jason Mantzoukas [00:29:41] There is nothing better than a stunt coordinator complimenting you on your ability to do something as mundane as stop in the right spot. And this is. I did it?

 

Nick Kroll [00:29:50] And this is where I should reveal, I was the stunt coordinator on sleepover.

 

Paul Scheer [00:29:54] Yeah, great job.

 

Jason Mantzoukas [00:29:55] That’s so cool.

 

Nick Kroll [00:29:56] I was in charge of the treehouse falling.

 

Jason Mantzoukas [00:29:59] I just love the idea that Paul is writing in a document 7 to 8:30 p.m., nail painting, bra freezing and dance party. This is aspirational for Paul Scheer.

 

June Diane Raphael [00:30:09] You must delete this afterward and drag it over to trash. You must, must delete it.

 

Paul Scheer [00:30:15] I want to show you something. I’m not even to that. I’m not even to the crux of my argument yet. Okay. We assume that the driving and dump is 8:30. The noise complaint 8:35 because she calls Julie moments after the noise complaint happens. And then I’m going to say that then Stacy gets her to 8:40 and the hunt is announced, at which point Stacy says the hunt begins at eight. But, Judge, look at this. When you look at their files and you look at their this, you can see.

 

June Diane Raphael [00:30:52] What is happening?

 

Paul Scheer [00:30:53] On the AOL page, the messages are at 9:12, 9:13 9:14 p.m.. So that means they face chatted in the nines, which means.

 

Jason Mantzoukas [00:31:08] This is chilling.

 

June Diane Raphael [00:31:09] Paul stop.

 

Jason Mantzoukas [00:31:11] This is like very upsetting.

 

Paul Scheer [00:31:13] Now how they did that in the 9s.

 

Jason Mantzoukas [00:31:15] Paul’s never been more alive.

 

Paul Scheer [00:31:19] If they did that in the nines, most old Navy’s are already closed. And I’m going to assume that the food courts in the malls are also closed. So now we have to.

 

Nick Kroll [00:31:32] (Russion Accent) Take a shower. Dude, dude, take shower. Can we talk about the shower real quick? Have you ever taken your shirt off? Two hands at a time? Never. Do you know that thing where it’s like.

 

Paul Scheer [00:31:48] It was sexy.

 

Jason Mantzoukas [00:31:49] Here’s what I’ll say. I’ve never, never taken a shirt off from the top. Yes, I exclusively am from the bottom off. I don’t do a tug it off.

 

June Diane Raphael [00:32:04] Now, if you knew someone was behind you watching.

 

Jason Mantzoukas [00:32:07] You think he knows?

 

Paul Scheer [00:32:08] No way.

 

Jason Mantzoukas [00:32:10] You think he knows?

 

Nick Kroll [00:32:10] He knew. He knew.

 

June Diane Raphael [00:32:14] The situational awareness of the people in this movie multiple times. People have other people hiding like two feet away from them, like breathing on them and they don’t notice.

 

Jason Mantzoukas [00:32:25] Oh, not only that, most of Jeff Garlin’s home is destroyed around him and he is oblivious. He’s so focused on installing a water filter that the complete destruction of his arbor or his whatever that is. Gazebo.

 

June Diane Raphael [00:32:49] I don’t know.

 

Jason Mantzoukas [00:32:50] It goes unoticed as does the tree fort collapsing on to the house.

 

June Diane Raphael [00:32:55] But this is what I loved about Jane Lynch as a mom, and I actually resented Julie thinking her mom was such a square. Like her, those slumber party rules. Paul, we didn’t see when the slumber party rules.

 

Paul Scheer [00:33:07] I have slumber party rules.

 

June Diane Raphael [00:33:08] They’re not up on the on the timeline. But whene the slumber party rules are announced. And it’s like she she really just wants to, she doesn’t want to see any structural damage to the house is what she says, which I found to be amazing.

 

Paul Scheer [00:33:24] There’s no chance these nerds are not going to do any structural damage. She’s not even having a party. She’s having four girls over. One she didn’t even want, is not even on the fucking poster.

 

June Diane Raphael [00:33:41] Justice for Yancey.

 

Jason Mantzoukas [00:33:41] That’s the crime

 

Paul Scheer [00:33:43] Yancey is a little larger than the other girls. And she isn’t invited and she’s invited as like a guilt invite, which.

 

Jason Mantzoukas [00:33:51] Is never then addressed.

 

Paul Scheer [00:33:53] No.

 

Jason Mantzoukas [00:33:54] They never have a moment. Yancey finds out she’s like second choice because Stacy bailed and then she’s very hurt by that, but because she gets an adult man speaker boyfriend. And again, Yancey ends up with a boyfriend who’s an adult man.

 

June Diane Raphael [00:34:11] No.

 

Paul Scheer [00:34:12] No, no. He’s a kid.

 

Jason Mantzoukas [00:34:13] He works for the speaker company.

 

Nick Kroll [00:34:15] Just for the summer. Just for the summer.

 

June Diane Raphael [00:34:18] Make a little extra cash.

 

Paul Scheer [00:34:19] Summer that started. The summer that started immediately.

 

Jason Mantzoukas [00:34:24] She is 14.

 

Nick Kroll [00:34:25] Jason, as soon as people run into a hallway and throw papers in the air. Yeah, that means it’s summer. Eighth grade’s done. It’s a whole new ballgame.

 

Paul Scheer [00:34:37] I mean, Yancey washed off that tan pretty quick, and that would’ve been a funny bit for the whole movie.

 

Jason Mantzoukas [00:34:44] And the the rationale of, like, would you rather have celery or a brownie? She’s like, Well, a brownie. And she’s like, Well, just find somebody who also wants a brownie. I was like, Wait, what?

 

June Diane Raphael [00:34:58] At first I was feeling like really terribly for Yancey, and I was like, Wow, the only thing they’re going to give this character and this actress is that she’s fat. That’s it. She’s just obsessed with being. They’re going to they’re going to they show her no humanity. It is absolutely terrible. However. If I’m if I have to choose a character to play. Of the four girls, I think I’m choosing Yancy over the redheaded girl who had no character.

 

Paul Scheer [00:35:29] Oh and a second ago I’m being yelled at for being said that I don’t understand these characters.

 

June Diane Raphael [00:35:33] I knew who they were, though, Paul, I knew what they were. It wasn’t confusing.

 

Paul Scheer [00:35:37] They don’t have any personality.

 

Jason Mantzoukas [00:35:39] I know Yancy and I know what she’s up to, but barrettes has no bearing.

 

June Diane Raphael [00:35:44] And I do. By the way, I think that sometimes happens with redheads where they’re like, You know what? They’re a readhead and that’s enough.

 

Paul Scheer [00:35:51] This is this is back in dangerous territory.

 

June Diane Raphael [00:35:58] I think the world assumes you’re a redhead, and that’s personality enough.

 

Paul Scheer [00:36:07] I want to talk about the date because I don’t want to get too far away. When I want to talk about the whole thing going on date safe, the police approved.

 

Jason Mantzoukas [00:36:15] Here’s the thing. And I don’t know because maybe I made a mistake, but I’m on datesafe.com  and I’m trying to find love. And it says I’m handsome. And police approved.

 

Paul Scheer [00:36:31] So. So Date Safe is a website in which the police inspect each person that you date. Now, I have a feeling this is a network note, a studio note, like, Oh, so then the girls will go like on a on internet dating. Well, yeah, but we can’t have a 14 year old do it. Oh, but what if it’s police approved? Done. Okay, so even the guy so the guy she’s going to meet is approved by the police? Yes. Okay. Well, that’s not that creepy. Can’t be like.

 

Jason Mantzoukas [00:36:59] Imagine how that works. The application goes to the police? And we’re trusting the police? To vouch for the guy?

 

Paul Scheer [00:37:14] I’m working overtime, stamping these applications. He says he likes photography. So far, I haven’t seen anything to prove that. Denied. You know.

 

Jason Mantzoukas [00:37:22] This shit blew my mind.

 

Nick Kroll [00:37:27] But what people don’t know is they cut a scene where it’s you then go to Sting and he is checking out each of these people.

 

Jason Mantzoukas [00:37:38] It’s him. It’s him. Stewart Copeland, Andy Summers

 

Nick Kroll [00:37:43] And the other guy. That’s why they broke up.

 

Paul Scheer [00:37:48] The whole issue.

 

Nick Kroll [00:37:49] Is that whether Mr. Corado was ready to was to be approved.

 

June Diane Raphael [00:37:53] By the way, Mr. Corrado was so much hotter before the make over, I was like, Let Mr. Corrado be Mr. Corrado.

 

Paul Scheer [00:38:01] Well, Mr. Corrado had the thing that often is done to young girls in movies like this, where they take off his glasses and mess up his hair and all of a sudden he’s a sexy dude.

 

Jason Mantzoukas [00:38:10] This movie has multiple eight second makeovers, multiple makeovers that take place in a second and that’s one of them. And the other one is when they rip when they rip Julie’s sleeves off. Where she’s like, I look like my mom. And they’re like, Wait a minute.

 

Paul Scheer [00:38:28] They tailor her dress faster than the mice in Cinderella. And why is the patrolman even after them? Like, why the patrolman seems like.

 

June Diane Raphael [00:38:37] A noise complaint.

 

Jason Mantzoukas [00:38:38] Steve Carell?

 

Paul Scheer [00:38:39] Yeah.

 

Jason Mantzoukas [00:38:40] Yeah. Oh, for various.

 

Paul Scheer [00:38:42] Like, like he’s either upset that they’re making noise. He should be patrolling the neighborhood. He’s taking a break at a at a mall. But even if they were in the mall kiosk, that’s not his duty. That’s a mall guard.

 

Nick Kroll [00:38:52] That’s Paul Blart Mall Cop’s job.

 

Jason Mantzoukas [00:38:56] The mannequin mall shit with Carell, where they’re just they keep and it’s too the J. Geils Band freeze frame. It’s a cover of that song because I think Peter Wolf and J. Geil’s band like, we’re not, we don’t want to. No thank you. That was also like, it was This is it. This movie has real silly comedy. Broad comedy beats to it that work.

 

Nick Kroll [00:39:21] Can I can I pay the redhead a compliment?

 

Jason Mantzoukas [00:39:24] Go.

 

Nick Kroll [00:39:24] When she had to pose as a mannequin and be fully dead, I she thought she nailed it.

 

Paul Scheer [00:39:30] She did. I wrote this down. She whatever she was doing to her eyes, that was good directing.

 

Jason Mantzoukas [00:39:38] Now would you believe me if I told you that was Jessica Chastain?

 

June Diane Raphael [00:39:44] She was the best mannequin of the bunch.

 

Paul Scheer [00:39:47] I only bring up Steve Carell because when these girls go to this club and they somehow take a giant speaker out of a case and leave it somewhere that no one notices it to get in the speaker case again, getting transported into theater, he’s nowhere to be seen. That would have been the spot. Oh, I guess he’s locked in the old Navy closet at that point.

 

Nick Kroll [00:40:07] Mm hmm.

 

Jason Mantzoukas [00:40:07] Who knows?

 

Paul Scheer [00:40:09] I got to put that in my document.

 

Nick Kroll [00:40:12] He was putting himself on tape for Little Miss Sunshine, and so they were like, He’s unavailable. Sorry. What are you saying, June?

 

June Diane Raphael [00:40:20] Paul, you think that you think that Steve Carell is also patrolling the high school?

 

Paul Scheer [00:40:27] No, but he’s after these girls, right?

 

Jason Mantzoukas [00:40:32] He’s also at Steve’s house because Stacy and the popular girls call in that there’s a suspicious person. Yeah, at Steve’s house house. But no, Steve’s house when she’s trying to steal. When Julie is in the shower, trying to steal the boxer shorts. Sorry. Why do I know this movie so well? That in and of itself s is a red flag.

 

Paul Scheer [00:40:57] So then. So he. We are going to assume that Steve Carell is out of commission from at least 9:30 to 10:30. I’m going to imagine that.

 

Jason Mantzoukas [00:41:06] And there is no other law enforcement in this entire town.

 

Paul Scheer [00:41:11] I was so happy that the bartender was like, wait a second. You’re young. Like, thank God someone recognized children. This movie does not recognize children.

 

Jason Mantzoukas [00:41:21] It’s also a scathing indictment of the teacher that he does not recognize his own student simply because she’s wearing sunglasses. That’s embarrassing.

 

Paul Scheer [00:41:31] But then again, he’s.

 

Jason Mantzoukas [00:41:33] But he’s saying you’re a swimsuit model to a 14 year old student?

 

Paul Scheer [00:41:39] By the way, she had the best comeback. What’s that like? And she said, it’s cold. Great joke.

 

Nick Kroll [00:41:44] Funny, genuinely.

 

Jason Mantzoukas [00:41:48] I wrote This is what, this is what I wrote in my notes. This movie is really going out of its way to make you understand how it’s possible to date a 14 year old.

 

Paul Scheer [00:42:00] Plausible deniability. He poses for an incriminating picture.

 

Nick Kroll [00:42:08] Here’s what I will say. What I will say is they they do look happy.

 

Jason Mantzoukas [00:42:17] I wanted him to get together with her mom. I was like, Oh, wouldn’t it be great if Jane Lynch and Johnny Sneed had a moment.

 

Nick Kroll [00:42:25] Just, like, make Garlin into a fucking cuck?

 

June Diane Raphael [00:42:29] I would have loved to have seen a whole movie.

 

Jason Mantzoukas [00:42:32] And Garlin’s into it.

 

Nick Kroll [00:42:32] Yeah. (Garlin Impressions) Oh, yes. Great. Great. Hey, Rosemary.

 

Paul Scheer [00:42:40] I did not like the sexualization of Jeff Garlin’s ass. By the way, I do think it’s a butt double. I do think his crack is a butt double.

 

Nick Kroll [00:42:47] Think so. What would you. Would you say?

 

June Diane Raphael [00:42:49] Just saying I’d love to see a whole movie about Jane Lynch’s night.

 

Nick Kroll [00:42:52] Yeah.

 

June Diane Raphael [00:42:53] You know.

 

Nick Kroll [00:42:54] Bad Moms.

 

Jason Mantzoukas [00:42:54] Great movie that would be. Like. Like an answer movie. The kids. The kids movie. And this is the. Oh, I love that.

 

June Diane Raphael [00:43:00] Yeah. Because, again, I want to know when she bought that lock, was it out that night? Who were those women at first?

 

Jason Mantzoukas [00:43:07] Oh, make it a connection. That’s like her group of girlfriends are analogous to her daughter’s group of. What are they going?

 

June Diane Raphael [00:43:13] Love it.

 

Paul Scheer [00:43:15] I like it. I like a lot of these pitches. And we and I’ll make a timeline for it and I’ll put it up there. But eventually that again, the dance ends at midnight. And I guess we’re going to say like around 11:45 is when they’re going to be giving out the awards, which also seems from the schedule of the night, it just seems pretty rough. But no one’s going to this dance on time at all. That guy is not even showered and ready. He’s playing pool in a giant ass mansion. It seems like he’s like Bruce Wayne. And she sees his dick, right? She definitely sees his dick.

 

Jason Mantzoukas [00:43:53] No, she sees his butt.

 

Paul Scheer [00:43:54] Okay.

 

June Diane Raphael [00:43:55] I think she sees his dick.

 

Jason Mantzoukas [00:43:57] You think so?

 

June Diane Raphael [00:43:58] Yeah.

 

Nick Kroll [00:43:59] His butt, but then you can see his fucking dick hanging through. I think.

 

June Diane Raphael [00:44:03] No, I think. I think what happens.

 

Nick Kroll [00:44:06] And then is Dick takes off a tee shirt.

 

Jason Mantzoukas [00:44:08] And this is. This is what we’re talking about a child’s dick. Go ahead.

 

Paul Scheer [00:44:17] He’s a high schooler.

 

Jason Mantzoukas [00:44:19] Wait, is he in High school?

 

Paul Scheer [00:44:20] Yeah.

 

Jason Mantzoukas [00:44:21] Oh, he is.

 

Nick Kroll [00:44:22] Yeah. So they went to elementary school together, but he’s.

 

June Diane Raphael [00:44:25] In high school. I sort of remember.

 

Jason Mantzoukas [00:44:26] The moment where she skateboards passed his car.

 

June Diane Raphael [00:44:30] I loved it. I loved it.

 

Jason Mantzoukas [00:44:32] And he’s like an incredible skateboarder. I was like, Yes, give me this.

 

June Diane Raphael [00:44:36] But why didn’t we see that when the mom when Jane Lynch is saying, oh, you know, I missed the days of ladybugs and and, you know, princesses and all this stuff, I’m like, well, actually, your daughter seems to be into skateboarding and basketball, and that’s still childlike and cool. And we never got to see that. I’m like, That would be awesome to have seen her playing basketball, to have seen her skateboarding. She didn’t seem to care about skateboarding at all.

 

Jason Mantzoukas [00:45:03] It was just a means to get home as quick as possible, even though.

 

June Diane Raphael [00:45:06] Just transportation.

 

June Diane Raphael [00:45:08] Next level tricks.

 

June Diane Raphael [00:45:09] So good.

 

Paul Scheer [00:45:10] Well, guys.

 

June Diane Raphael [00:45:11] She’s so good.

 

Jason Mantzoukas [00:45:12] She jumps a marmaduke. Jumps.

 

Paul Scheer [00:45:16] Is this in the MCU? Is this in the MCU, the Marmaduke Cinematic Universe? I will say this. There’s a moment when the hot high school guy looks at her yearbook, looks at this picture of her. Julie Quirky and goes Wow, she turned out pretty good. And he’s looking at, like, and her things are drama club basketball, debate team, hobbies, hot dogs.

 

Nick Kroll [00:45:39] Funny.

 

Paul Scheer [00:45:40] Skateboarding. And napping.

 

Nick Kroll [00:45:41] When I hear she turned out pretty good, I think he’s seeing, like, those hobbies, that whole vibe. And he’s like, Fuck, yeah, she’s in the skateboarding. Into hot dogs.

 

Paul Scheer [00:45:52] I don’t want to yuck anyone’s yum, but I want to just talk about this scene right here. So Julie breaks into the hot guy’s house, right? She’s looking around. She’s in her little dress, and. And then she sees his skateboard. He’s a skateboarder and then find the shoe, puts it to her nose and smells the sweet juice.

 

Jason Mantzoukas [00:46:12] And smiles.

 

Nick Kroll [00:46:13] This guy.

 

Jason Mantzoukas [00:46:14] That’s the most truthful moment in the movie.

 

June Diane Raphael [00:46:20] Now, here’s my question about Julie’s brother.

 

Jason Mantzoukas [00:46:27] The college dropout.

 

June Diane Raphael [00:46:28] The college dropout.

 

Paul Scheer [00:46:30] Who also looks like he’s in junior high. He doesn’t he doesn’t have the Paul Rudd energy that we expect from Clueless. Maybe he’s too old and that. But like when I think about college, I can’t tell these fucking kids apart. I’m like, Who’s the high school? Who’s junior high, who’s kindergarten, who’s college? Who’s Jeff Garlin? I don’t know. It’s Jeff Garlin just getting out of sixth grade. He might be.

 

June Diane Raphael [00:46:51] Paul. This is like, I mean, you’re turning into my father who could never recognize when he watched The Departed. He’s like, I don’t know. They all look exactly the same to me.

 

Nick Kroll [00:46:59] By the way. By the way, and I know Scorsese is listening. You’re dad’s not wrong. Okay.

 

June Diane Raphael [00:47:08] But it’s like, Paul’s really turning into.

 

Paul Scheer [00:47:10] And by the way, June, I’m very excited for Oppenheimer, we’re going to. We’ll all be there. Front row.

 

Jason Mantzoukas [00:47:14] Congratulations.

 

Nick Kroll [00:47:15] Can I just quickly say so I am. I am the older brother who’s played by Sam Huntington, who is an old friend of mine. We were on the hit. Probably the biggest highlight of his career was to be on the show Cavemen With Me.

 

Paul Scheer [00:47:29] What year was that?

 

Nick Kroll [00:47:30] Of course. That’s 2007.

 

Paul Scheer [00:47:32] Okay, so this is pre Caveman.

 

Nick Kroll [00:47:33] This is pre caveman. And and so I watched him. I was like, yeah, I was like, he’s great, funny. He’s great doing his job.

 

June Diane Raphael [00:47:41] He is absolutely doing his job. I mean.

 

Paul Scheer [00:47:43] The comic relief 100%.

 

Jason Mantzoukas [00:47:44] The scene where he eats all of the pizza with the dog. I was like, He’s going for it.

 

June Diane Raphael [00:47:49] He did it. He did great, and he did his work 100%. That’s wonderful. I, I had more questions just about the character he was playing in his journey. So he’s dropped out of college. His car has been something, some sort of gambling debt, some but no Paul, some financial disaster.

 

Paul Scheer [00:48:08] Okay. Napster?

 

June Diane Raphael [00:48:10] I don’t know what he got involved in, but his car was repossessed in college.

 

Paul Scheer [00:48:17] I mean, it seems like he wasn’t away for that long. He’s a freshman in college, right? Or something.

 

Jason Mantzoukas [00:48:22] He seems young. So yeah, I don’t think he was like, well into college.

 

June Diane Raphael [00:48:25] Yeah. He comes back home and he is searching for cash desperately.

 

Paul Scheer [00:48:31] Oh, right. He wanted that cash.

 

June Diane Raphael [00:48:33] And the reason why the ladies are able to kind of continue on in their adventures because they’re cutting deals with him left and right. So now his sister has cut a deal where she will pay him $50 a month for three months.

 

Nick Kroll [00:48:48] He pushes for six.

 

June Diane Raphael [00:48:49] He pushes for six. But very smartly.

 

June Diane Raphael [00:48:53] $150 is gonna get him out of a hole?

 

Jason Mantzoukas [00:48:53] She’s negotiating hard with him.

 

June Diane Raphael [00:48:56] But here’s what’s interesting about his journey. And that’s why I do want to see a movie about Jane Lynch’s night. And I also want to see a movie about.

 

Paul Scheer [00:49:04] Your love, your citadel, the and the hit Amazon show.

 

Jason Mantzoukas [00:49:08] I would pay, I would invest in a movie currently that checks in on all these characters.

 

June Diane Raphael [00:49:15] Yes. Because through the course.

 

Paul Scheer [00:49:18] 20 years later. The next sleepover they’re having kids.

 

June Diane Raphael [00:49:22] Interesting though because he’s just sort of a witness to all of this. I mean, he engages in the action a little bit when he gets her out of the situation with Steve Carell. But by the end of the night, he decides to go back to college.

 

Paul Scheer [00:49:35] Yeah, he’s changed.

 

June Diane Raphael [00:49:36] But why?

 

Paul Scheer [00:49:37] Because I’m going to tell you why. I’m going to tell you. I have a thought about this. I actually did. It’s in my timeline. Around 9:45, he realizes he can handle anything. He can make deals. He can he can dress up his friends to do a rendition of Spice Girl with wigs. Where’d he get those wigs?

 

June Diane Raphael [00:49:56] You think that that was him though?

 

Paul Scheer [00:49:57] Wigs of their own hair.

 

Nick Kroll [00:50:01] They’re wearing wigs.

 

June Diane Raphael [00:50:02] Those were the grandmas wigs. Because at one point, Jane Lynch threatens. Threatens to leave Julie and not take her to on the family trip to Hawaii and threatens to just leave her to brush out her grandma’s wig.

 

Paul Scheer [00:50:16] Which we don’t see now. But he does say this line.

 

June Diane Raphael [00:50:19] I’m obsessed with that grandma, too, because it’s not like she has a couple of wigs of the same style.

 

Nick Kroll [00:50:23] No, no. She’s got a broad. Yeah. She was a real character. And and I think and I think and I think the daughter is reminiscent and Jane Lynch is caught in between. Oh, I see.

 

June Diane Raphael [00:50:40] She’s on a bridge of her own.

 

Nick Kroll [00:50:42] Yes, exactly.

 

Paul Scheer [00:50:43] Let’s get Rita moreno to finally be the grandma in the reboot. Have a great moment. I want to say one thing, though. This is the moment where I think he changes. I don’t remember the exact line, but I remember he goes, Oh.

 

June Diane Raphael [00:50:55] When he’s eating the dog play-Doh?

 

Paul Scheer [00:50:57] Oh, when he says foods changed. No, this is the moment when he goes high school’s all blank and blank and college is all ribbons and lampshades. And the way he says it, I don’t know what ribbons are, but I know lampshades are like that traditional thing, like, Hey, I’m drunk at a party. I put a lampshade on. No. What is it? Oh, So the guest bedroom. I thought he was saying, like he went through some trauma with ribbons and lampshades, and I was like, This is the crux of this character. I didn’t. He was just commenting that his room was turned into his mom’s sewing room. Oh, I thought I found something. I feel the fucking.

 

June Diane Raphael [00:51:40] Lampshades were like an iconic college. Like.

 

Paul Scheer [00:51:44] I thought he was saying, like, you go to college and it’s all ribbons and lampshades. I drank too much. I said too many things.

 

Nick Kroll [00:51:53] I thought, it’s like you in a war. Like, either you’re a standout student, you get ribbons for your acknowledgment, or you’re a party monster who wears lampshades because you’re the life of a party.

 

June Diane Raphael [00:52:04] So wait just I know we’re going to go to the audience, Paul, and I want to I want to. So he’s saying that college is ribbons and lampshades, but college isn’t ribbons and lampshades. That’s his home away from college because he’s not in college.

 

Nick Kroll [00:52:17] Exactly.

 

Jason Mantzoukas [00:52:18] Yeah, I think he’s saying in failure, life is ribbons and lampshades like you can’t go back like it’s like your life. If you leave. Once you leave, you can’t come back to life. Life is now his room is a craft corner. I thought he.

 

Paul Scheer [00:52:38] An 18 year old like you can never go back home.

 

Nick Kroll [00:52:40] Yeah. I thought he was referencing a Joni Mitchell song called Ribbons and Lampshades.

 

Jason Mantzoukas [00:52:47] Guys, we were just in Seattle. We saw Joni Mitchell was amazing. I had a religious experience.

 

Paul Scheer [00:52:52] One of the best nights of my life.

 

Jason Mantzoukas [00:52:54] Yeah, it happened.

 

Nick Kroll [00:52:55] One of the best nights of my life.

 

Paul Scheer [00:52:57] Life.

 

Nick Kroll [00:53:00] (Borat Impression) My life.

 

Jason Mantzoukas [00:53:01] My life. We’re doing great.

 

Paul Scheer [00:53:05] Let’s go to the crowd here. Let’s talk to you all. All right. So I’m going to ask you to tell me your name. And one fun scavenger thing you could go get if you were on a sleepover scavenger hunt. All right, So what’s your name?

 

Audience Member [00:53:19] Rick.

 

Paul Scheer [00:53:19] Rick. Rick. What’s one fun thing you would do on a sleepover scavenger hunt?

 

Audience Member [00:53:24] She’d go get the batter for the hot dogs that she works at Hot dog on a stick.

 

Paul Scheer [00:53:27] Great. That’s great. I like that. Well researched the thing because she’s making those Twinkies. All right, What’s your question?

 

Audience Member [00:53:36] What possibly could have led to her friend telling her that she has good knees and a big brain?

 

Paul Scheer [00:53:43] Great. June.

 

June Diane Raphael [00:53:50] Trust me, I was worried about that statement. I was thinking about that statement quite a bit. I think it’s because she’s a skateboarder and I think it’s because I hope it’s because.

 

Nick Kroll [00:54:04] So it’s not because it’s not because it’s not. Because it’s not like a great way to try to get a blowjob?

 

June Diane Raphael [00:54:10] I, I was worried about that.

 

Paul Scheer [00:54:13] You got big knees and you give good head.

 

Jason Mantzoukas [00:54:15] I like that’s the this movie treads a fine line between being like, I like it because it’s the kids are so young, but they want to be making clearly like a sexy, like a John Hughes sex comedy in a way. But it’s not. It’s really uncomfortable. They should have the bridge like, I think they could have called this movie The Bridge.

 

Jason Mantzoukas [00:54:37] The Bridge? Yeah.

 

Nick Kroll [00:54:38] My favorite Joni Mitchell song.

 

Jason Mantzoukas [00:54:41] All right. Hey, what’s your name?

 

Audience Member [00:54:43] Jose.

 

Paul Scheer [00:54:43] Jose. What is one fun thing you would do on a scavenger hunt with these girls?

 

Jason Mantzoukas [00:54:50] Paul! Paul! Paul, what are you doing? You’re asking an adult man what he would do with four 14 year olds?

 

Paul Scheer [00:55:02] I’m making him play a character here.

 

Audience Member [00:55:05] We would steal something from Hot Topic.

 

June Diane Raphael [00:55:08] That’s a great answer.

 

Paul Scheer [00:55:09] And what time would you do that? So I could put it on my timeline. All right, so your question.

 

Audience Member [00:55:16] So can we talk about the ticket girl at the dance?

 

Jason Mantzoukas [00:55:20] Yes.

 

June Diane Raphael [00:55:20] Yes.

 

Audience Member [00:55:22] And how Julie essentially told her you studied too much and you play Monopoly with your parents. Can you just let go in?

 

Jason Mantzoukas [00:55:32] In four years, I will be you unless I get into this dance.

 

June Diane Raphael [00:55:38] Okay. Okay. First of all.

 

Jason Mantzoukas [00:55:40] The message is you’re. You’re lost. But help me not become you.

 

June Diane Raphael [00:55:46] The craziest part, though, is the ticket booth woman is the most beautiful woman in the movie, is the most beautiful person in the movie.

 

Nick Kroll [00:55:55] The first nonwhite person we have seen the entire film.

 

Jason Mantzoukas [00:55:59] Oh, this is Stars Hollow level white.

 

June Diane Raphael [00:56:02] She’s absolutely breathtaking and seems quite lovely and composed and and self-possessed. I’m like, why is she being taken down as a high school troll?

 

June Diane Raphael [00:56:13] Not only that, but she also seems to be like, Yes I support you! Julie Quirky.

 

Paul Scheer [00:56:22] I will tell you that that was the moment that I teared up because.

 

Jason Mantzoukas [00:56:30] Go on.

 

Paul Scheer [00:56:31] All right. Because I thought of this girl playing Monopoly with her family and not thinking there was anything wrong with it. And I was like, That’s so cute and so nice and I want my kids to play Monopoly with me. When they get older.

 

June Diane Raphael [00:56:45] They will.

 

Paul Scheer [00:56:46] And it was like it was a moment I was like, And why is that being shit on like that? She has a good relationship with her parents. I would hope that my kids would have a good relationship.

 

June Diane Raphael [00:56:55] Honestly, I blame Joni Mitchell for like the experience, the way we, the three of us experienced this movie because we’re not emotionally sort of.

 

Jason Mantzoukas [00:57:06] No I’m shattered.

 

June Diane Raphael [00:57:07] Yeah, we are disregulated.

 

Jason Mantzoukas [00:57:10] She played Amelia and I unravelled.

 

June Diane Raphael [00:57:12] And so our reading, honestly, our reading of this movie is off.

 

Jason Mantzoukas [00:57:16] But I love I love the Paul’s emotional connection to the movie was board games.

 

June Diane Raphael [00:57:25] I totally hear you. Because I did I did spend many Friday nights playing board games and Remy Cube and.

 

Jason Mantzoukas [00:57:31] Oh yeah.

 

June Diane Raphael [00:57:31] Games with my parents. And I felt that too. Like that. Of course I felt that too. And I think it’s cool.

 

Nick Kroll [00:57:40] Your kids are like your kids are like moving you.

 

Jason Mantzoukas [00:57:45] But I couldn’t help but feel bad for that girl because I felt like what Julie was saying was, You blew it. It’s all lost. All hope is lost for you. But there is hope for me.

 

Paul Scheer [00:58:01] What dance makes a current student a senior work the door? It’s like, All right, so I’ll work the door anyway. Like she works that door till midnight. My God. Hi. What’s your name?

 

Audience Member [00:58:17] My name is Bridget.

 

Paul Scheer [00:58:18] Bridget, Welcome. And what’s a fun thing you would do with these girls on a scavenger hunt.

 

Audience Member [00:58:22] Schedule permitting, Perhaps go to another old Navy and get a great deal on some slacks.

 

Paul Scheer [00:58:27] Oh, yeah. You could.

 

Jason Mantzoukas [00:58:29] Double Old Navy? Wow.

 

Paul Scheer [00:58:31] All right, now, what is your question?

 

Audience Member [00:58:33] I would love to return to the Garlin-Lynch romance. I don’t know that I’ve ever believed less in a marriage. And I certainly felt I felt at the end when they sort of shared a kiss. It was as if like that. It. It was as if two sock puppets mouths were being pressed together.

 

June Diane Raphael [00:58:56] It was very uncomfortable.

 

Jason Mantzoukas [00:58:58] Somehow more uncomfortable than a kiss shared between two 14 year olds.

 

Nick Kroll [00:59:06] Well, I’ll play. I’ll play the devil’s advocate here. I found the moment he was like, Did you have fun at the club? And she’s like, I did. I found that moving. He knew what she needed, and they were both getting what they needed out of their marriage.

 

Jason Mantzoukas [00:59:22] What I liked about that was that Julie overhears it, and she had previously thought that her dad didn’t know what her mom was up to. And that she had, like. Like she had something on her mom, but she realizes. Oh, Dad knew. And their relationship. They have an understanding. They know what’s going on. And they know each other.

 

June Diane Raphael [00:59:42] This is the shocking thing about this movie. There are moments there are moments that are are really beautiful like you use. I remember having those moments of like, oh, I’m no longer a child looking at my parents. I’m like a little bit older and seeing them with a new, like sense of emotional intelligence. And they’re people and I’m a person and all of these crazy moments, and especially with her best friend who loves her, was a little bit more mature than her and is go and she’s worried she’s going to leave her. It’s I think this is the best movie that’s ever been made. I really and it’s sort of. Here’s what’s weird. It’s a kind of a terrible movie. But there are moments.

 

Jason Mantzoukas [01:00:28] Find an adult boyfriend.

 

June Diane Raphael [01:00:31] Okay. Justice for Yancy.

 

Jason Mantzoukas [01:00:34] He works at both the nightclub in town. And the high school dance?

 

Nick Kroll [01:00:38] He said he needed to go to the other gig. Jason.

 

June Diane Raphael [01:00:42] By the way, when he’s at the other gig.

 

Paul Scheer [01:00:45] He works for a late night speaker delivery service. Not a normal operating hours, speaker delivery service.

 

Jason Mantzoukas [01:00:52] Just to jump back to the speaker boy and Yancy, I loved it and the moment in the dance when Steve onstage says into the mic, Julie, Julie Corky. I was like, What? Steve chooses Julie? I was full of.

 

June Diane Raphael [01:01:13] I felt the same.

 

Jason Mantzoukas [01:01:14] Joni level emotions.

 

June Diane Raphael [01:01:16] Me too.

 

Jason Mantzoukas [01:01:17] Sobbing alone in my house, 50 years old at the possible fingering of a 14 year old. Help me. I think I’m falling in love again. Come on.

 

Paul Scheer [01:01:33] I also have to say that when I think I was in that the Joni Headspace because Joni did cover Freeze Frame at the Joni Jam. Freeze frame. Freeze frame. It was great. It’s a beautiful song. She’s really into it. So what’s your name?

 

Audience Member [01:01:50] My name is Colton.

 

Paul Scheer [01:01:51] Colton. And what’s a fun thing you might do with these young girls on a sleepover?

 

Audience Member [01:01:55] I’d go find some brownie batter.

 

Paul Scheer [01:01:57] Find some brownie batter. I like that. Okay, what’s your question?

 

Audience Member [01:02:00] More of an observation. My brother noticed when they were doing the final race to the high school at the end. The car that they’re driving is kind of like a tortoise shaped green car, and the popular girl is driving like a silver kind of hair car. So he’s going for the metaphor like the tortoise and the hare kind of thing. Like, you know, take things slow, you’ll win in the end, take life slow, enjoy your friendships, enjoy your time.

 

Paul Scheer [01:02:20] Enjoy your time on the bridge. Wow.

 

Nick Kroll [01:02:23] And did you and you watch and you watched the movie with your brother? That’s really beautiful. Do you guys stay home and play board games with your parents?

 

June Diane Raphael [01:02:38] Nothing wrong with that.

 

Jason Mantzoukas [01:02:41] I love when people process this show as a family like Fast and Furious.

 

Paul Scheer [01:02:48] Out on VOD.

 

June Diane Raphael [01:02:50] There were some jokes. Credit to the writer. There were some jokes in this movie that genuinely made me laugh when Yancy said when Yancy is talking to moving the speaker moving guy, speaker boy. And he says something like, Do you? What do you mean guys don’t talk to you? And she says, Well, usually guys just ask me to hold the door open for them. I laughed so hard I thought, It’s the funniest thing I’ve ever heard. And when Julie’s talking to her teacher in her sunglasses and she laughs, and then he said, Oh, I recognize that laugh. And she says, I’m just laughing. Laugh because I’m just She goes, I’m just trying on different laughs.

 

Jason Mantzoukas [01:03:34] She does it different laugh and is like what do you think of that?

 

June Diane Raphael [01:03:37] Really funny.

 

Nick Kroll [01:03:38] But then it comes back at the end he’s like, I like your left.

 

Jason Mantzoukas [01:03:47] QI thought I also thought to that point when and we’ve already talked about it, so forgive me, but when SpongeBob says to Stacy, apropos of nothing, do you want to see a picture of me in a coma? And she says, yes. And he produces it also very funny, like this movie has a joke. Very funny. And the funniest the most. The moment that I laughed the hardest and rewound and watched again and laughed again was the end. The last moment when the janitor dumps a trash can basically on to Stacy.

 

Paul Scheer [01:04:21] I wrote that down. Great ending.

 

Jason Mantzoukas [01:04:24] I loved it.

 

Nick Kroll [01:04:25] By the way, Bree makes a very bold choice in not acknowledging, yes, the dumping of garbage right on top of her and her friends.

 

Jason Mantzoukas [01:04:37] Yeah. She’s like, This is what I signed up for.

 

Paul Scheer [01:04:39] She took the punishment. She understood the assignment.

 

June Diane Raphael [01:04:42] I think there was a part of her I read in that moment of like, No, this is where I’m supposed to be. Yeah. Like, there was a resolve.

 

Paul Scheer [01:04:49] Well, I will tell you this much as well. What I loved about that final scene was Stacy was eating out of an old fashioned 1940s lunch pail. Like that girl.

 

Jason Mantzoukas [01:05:00] Like she’s on, like, an I-Beam girder. Yes.

 

Paul Scheer [01:05:04] High above the city. I will say the one thing I want to ask before we get into the next part of the show here is at one point she goes, Did you do everything from the fridge, paint your toenails, defaced the website? What website were they defacing? So is it Liz’s?

 

Jason Mantzoukas [01:05:20] It’s a yeah, yeah, it’s this. Yeah.

 

Paul Scheer [01:05:22] So. But it’s her own site?

 

June Diane Raphael [01:05:26] Now. Who’s Liz?

 

Jason Mantzoukas [01:05:29] Now that’s a great question.

 

Paul Scheer [01:05:32] Brie Larson is Liz.

 

Jason Mantzoukas [01:05:33]  Yes. Because she’s been held back a year. That’s why she can drive. That’s Brie Larson.

 

June Diane Raphael [01:05:39] And I had another funny joke when she they announced that she’s been held back a year and she has her license. And one of the girls said lucky.

 

Paul Scheer [01:05:48] By the way, she was held back a year, which means that she would be a freshman in high school. Not a time when you’re driving.

 

Jason Mantzoukas [01:05:57] Yeah. No. This movie really wants to be a high school movie. And inexplicably, and to a degree, that is chilling.

 

June Diane Raphael [01:06:07] See, Jason, we might have very different experiences, but when I was in eighth grade, heading into ninth grade, like, this movie wasn’t shit compared to what I was up to.

 

Jason Mantzoukas [01:06:16] Oh, I agree.

 

June Diane Raphael [01:06:18] I’m sorry it wasn’t. I found this to be tame.

 

Jason Mantzoukas [01:06:22] I find because you.

 

Paul Scheer [01:06:23] Wait, Hold on. I want to hear more about June 8th and 9th.

 

Jason Mantzoukas [01:06:27] What were you up to?

 

June Diane Raphael [01:06:27] In eighth and ninth grade, I was taking my parents car out. I mean, I was doing all the things that one might do. Drugs. All. All of it was being done from the.

 

Paul Scheer [01:06:38] Drugs between eighth and ninth?

 

June Diane Raphael [01:06:40] I was smoking pot. Yeah.

 

Paul Scheer [01:06:43] Wow. Thought I knew you.

 

June Diane Raphael [01:06:48] Yes.

 

Paul Scheer [01:06:48] Thought I knew you.

 

Nick Kroll [01:06:49] Falsifying voter information.

 

June Diane Raphael [01:06:52] All of it. All I’m saying.

 

Paul Scheer [01:06:55] Putting your pants on a mannequins body, pretending to be a mannequin.

 

Jason Mantzoukas [01:07:04] Pretending to be a swimsuit model to date your teacher.

 

Paul Scheer [01:07:09] Well, look, obviously, we have opinions about what June did between eighth and ninth grade. And and if this movie is a beautiful work of art, but. The truth is, there are other people out there with different opinions. It’s now time for second opinions. Please welcome Tim.

 

Audience Member [01:07:28] It’s time for a teenager. Girls will bloom. Jeff Garlin loves water more than his daughter. Jane Lynch helps her locker room. It’s where high school dances start at ten. Steve Carell is all over town. His air bag explodes again. If Julie finds an awesome guy who hops a fountain, why? Oh, why can’t I?

 

Paul Scheer [01:08:00] Give it up for Tim. Tim wrote that Tim during the show.

 

All [01:08:08] Tim. Tim. Tim. Tim. Tim. Tim. Tim. Tim. Tim. Tim.

 

Paul Scheer [01:08:15] And stop. Great job, Tim. All right. This movie has a thousand reviews. The first review is from

 

Nick Kroll [01:08:22] One thousand reviews?

 

Paul Scheer [01:08:22] A thousand reviews. 82% are five star. 3% are one star. And this first one is titled The best movie of the 2000s, possibly of my life. “SleepOver has many themes. I think individuals of all ages can find it entertaining and relate to it. It includes a wacky sleepover, a touching mother daughter moment, lessons about sibling loyalty, financial negotiation, the power of female friendship, questionable romance, and a cute dog. Overall, I would feel comfortable showing this to my kids at a sleepover of their own and might even watch it myself from time to time. Five stars hands down.”

 

Jason Mantzoukas [01:09:08] I mean, I kind of agree with that review.

 

Nick Kroll [01:09:11] Well, the only thing I don’t doesn’t track for me is that the person’s like, this is probably the best movie of the 2000 the last 25 years. I might watch it again.

 

Paul Scheer [01:09:24] This one is written in all caps. “When I was a teenager, I could relate to this movie rather well. I always had friends sleeping over and was sneaking away from the parents. I think all teenagers do. This movie was great. It was funny, daring, and a young crowd made like an older crowd. These girls have real talent and I wish them the best of luck with acting. Five out of five stars. The title is Great for Teens. It was written by Tiffany M Fitzpatrick.” This one by Grace Rainey says this. “Everything about this movie made me the happiest I’ve ever been. Five stars.”

 

Jason Mantzoukas [01:10:12] Wow, the happiest they’ve ever been?

 

Paul Scheer [01:10:15] This one says this “A pure joy, a comedy ahead of its time. Titled You Must Watch this movie Five Stars.” But the best one. It’s a five star review. Says “Evan Peters is ten out of ten. Amazing.” And the review goes like this. “Evan Peters, Five stars.” Now, I just will share with you this because Molly did some amazing research here and she found a website like a parental warning website about this movie, like it’s from screenit.com. It tells parents, you know, things that they should watch out for. And I highlighted a couple of them. “Tense family scenes. Julie isn’t happy with her mom being overbearing. She thinks she is. While mom is suspicious of what Julie and her friends are up to, leading to some smart aleck remarks from Julie to her mom.”

 

Jason Mantzoukas [01:11:15] Smart Aleck remarks

 

Nick Kroll [01:11:18] The review is written by Jay Mantzoukas.

 

Paul Scheer [01:11:23] This is where it says this. This is the this is the biggest section “Imitative behavior. Kids may want to have their own version of this adventure. On the last day of school, we see middle schoolers running through the hallways, throw papers everywhere, and one of them sprays silly string at a teacher. Steve jumps over a fountain. The girls retrieve a bra from the freezer as part of their slumber party. We never see what’s done with that. Hannah has a midriff revealing top. You do not want your kids to imitate anything like that.” The movie in other countries is called Sleeping Away from Home. Suddenly, in love. Last day of classes. And revenge in pajamas.

 

Jason Mantzoukas [01:12:16] Whoa. That’s a movie I want to see.

 

Paul Scheer [01:12:19] That is the Canadian title of that movie.

 

Jason Mantzoukas [01:12:22] I don’t know when anybody’s in pajamas in this movie.

 

Paul Scheer [01:12:25] Vengeance in Pajama. So final thoughts, parting thoughts like you recommend?

 

June Diane Raphael [01:12:32] My final thoughts. I would recommend this movie, if only to to get to that last scene between the young, our young actress and Jane Lynch. Because just to say one other thing about that lock, because I’m going to Paul, I’m going to remember that lock when we get to this age of parenting, because it was such a beautiful gesture of like, Oh, I’m giving you something to literally secure our attachment and to make sure that, you know, I’m okay with you being secure away from me so that I can actually be closer to you and you can feel closer to me. It was the most beautiful way to express that.

 

Paul Scheer [01:13:10] I don’t want to give my kids a lock, though.

 

June Diane Raphael [01:13:12] I know you don’t want to because.

 

Paul Scheer [01:13:14] Because I use their bathroom. And if I can’t use that bathroom and I can’t use my own bathroom.

 

Jason Mantzoukas [01:13:22] Wait, are you shitting in your kids bathroom?

 

Paul Scheer [01:13:26] I got to go somewhere.

 

Jason Mantzoukas [01:13:27] And then blaming it on them.

 

Paul Scheer [01:13:30] Who didn’t flush?

 

Jason Mantzoukas [01:13:31] My bathroom stinks. You did that.

 

Paul Scheer [01:13:35] I almost brought our child in to watch us. It’s like, you know what? He’s home. He’s taking a gap week between school and camp. And I was like, Let’s let’s let’s watch this together. So happy I did not.

 

June Diane Raphael [01:13:47] Yeah, definitely.

 

Jason Mantzoukas [01:13:47] I’m taking a gap week. I will say it as a kid this age, this is the exact kind of movie that if I was, you know, a tween kid and I saw this movie, I would have been obsessed with obsessed with it in the way that I was obsessed with the John Hughes movie. But this is John Hughesean.

 

June Diane Raphael [01:14:10] Yeah.

 

Jason Mantzoukas [01:14:11] Just skewed younger.

 

June Diane Raphael [01:14:12] Well, it also was hard. It was hard to know where I would have fallen. Like I don’t think I definitely wasn’t in the Brie Larson group.

 

Jason Mantzoukas [01:14:19] I’m coma kid all the way.

 

June Diane Raphael [01:14:21] But see, I don’t even know if I’m in.

 

Jason Mantzoukas [01:14:23] He’s the ducky of this universe and I’m all in on Duckie.

 

June Diane Raphael [01:14:26] I don’t even know if my group falls into like, Julie Quirky. I’m like, I’m like, where Yancey would have gone had she not received the invite. No, it’s okay. It’s a great time over there. This isn’t bad news, but I just don’t think that I would have been with Julie and her friends. I would have been one level under.

 

Jason Mantzoukas [01:14:46] Were you not a soccer sport-o at this time?

 

June Diane Raphael [01:14:49] At this time, I was more of like a theater kid, so maybe I would have met Julie there. But I do feel I was still a little bit away from Julie and the gals.

 

Jason Mantzoukas [01:15:00] Do you think you think Julie and the girls were aspirational or Julie and the girls were you were ahead of them, but not in the Stacy Liz category, you were inbetween?

 

June Diane Raphael [01:15:12] I guess where I was was I was I was with Yancey. Had Yancey again not received that invite because what I feel confident about in my group of girls with Yancey was that we wouldn’t have gone to another sleepover. That’s a difference.

 

Jason Mantzoukas [01:15:29] I’m sorry. Were you friends with Yancey?

 

Jason Mantzoukas [01:15:32] I wish.

 

Paul Scheer [01:15:34] I was not present in this movie.

 

June Diane Raphael [01:15:37] You weren’t represented?

 

Paul Scheer [01:15:39] The last day of school, I decided I was going to have a party at my house and just told everyone to come. I lived on a dead end road and everyone came and caused a very big traffic jam as everyone drove up the block but then couldn’t turn around and get out. And so first of all, the 200 people that showed up to my house, that was an issue. But the traffic jam.

 

Jason Mantzoukas [01:16:05] That’s amazing that everyone came. That’s incredible.

 

Paul Scheer [01:16:07] It was a fun it well, I don’t even know it. Well, it was something. It was a lot of anger from the neighbors because they were all trapped in their houses. It was a a literal line of cars. They had nowhere to turn. And yeah, it was it was a it was a tricky night.

 

Nick Kroll [01:16:28] And then they all finally get out of there. And then it’s like, now I got to go pick them up.

 

Paul Scheer [01:16:34] Well, that was, that was. But they see a lot of kids who started getting out of their cars and coming into my house. And then I had to spend a lot of time talking to the neighbors going, who has a Ford Festiva, a red Ford Fiesta, I had to find cars. But that car stuck in them. It was very difficult.

 

Jason Mantzoukas [01:16:51] Were you the valet at your own party?

 

Paul Scheer [01:16:56] My mom my mom was like, You’ve gotten yourself into this mess. You got it. You got to get out. So it was just trying to be like, play Tetris all night. But I think my mom let us drink beer.

 

Nick Kroll [01:17:11] Save it for the book.

 

Jason Mantzoukas [01:17:14] Incredible stuff. That’s wild.

 

Nick Kroll [01:17:18] I mean, that’s. But that’s that’s that’s middle school. That’s all true. But at the end of the day, it’s ribbons and lampshades.

 

Paul Scheer [01:17:29] Thank you all for coming out tonight.

 

Paul Scheer [01:17:34] And that is all for today’s show. A big thank you to Nick Kroll. People, we love doing these shows and we’re taking them to the East Coast. Head on out to the East Coast to check us out this summer. Just go to HDTGM.com to find out all of our touring dates. And New Jersey, I’m looking at you because we are actually going to do a partnership with the Smod Castle. That’s right. We’re going to air the movie that we’re going to be doing in New Jersey at the Smod Castle Cinema the night before or a couple of days before. We’re figuring it out. Anyway, go to HDTGM.com. Buy your tickets now. Shows are very close to selling out, like literally tickets away. So I can’t tell you enough to head on over there. And if you’re heading out on the internet, why don’t you head on over to Teepublic.com. Teepublic.com, where we have some amazing merch, new merch, different shows, shirts. We don’t have a show shirt for this one. We felt like my description shirt, the one about Old Navy would have been just too weird and random. Anyway, we can always change it if you really want it. And remember your voice is important. If you have a correction or omission about the movie, Sleepover. Call me at 619-PAUL-ASK. That’s 619-PAUL-ASK or write in on our Discord and we may use your comment in next week’s Last Looks episode. A big thank you to our producers, Scott Sonne, Molly Reynolds and our movie picking producer Avril Halley and our engineer, Casey Holford. We’ll see you next week for Last Looks. Bye for now.